羽绒logo

作品名称：羽绒LOGO

落地时间：2019年

作者：四川犀牛鸟装饰设计有限公司   曾章毅

设计理念：与考尔德的动态雕塑相同的是，这件作品中给人带来的视觉享受是新奇而又富有生命力的。那些悬挂着的羽毛元素都以最原本的姿态展示出自然形态，它们静止、轻盈，随时可能随风摇曳。作品的独特之处在于悬挂在半空中的羽毛本身的材质轻盈飘逸，带有律动之感其组合动态的变化来自于观者视角的移动。随着观众自身位置与视角的变化，羽绒似乎受到了观众视线力量的感召。前一秒组合成上升符号，下一秒散落在空中。紧接着便汇聚成有力量的词汇，意义的变换早已取决于观众，该装置是犀牛鸟同系列艺术装置内毕竟困难的一个，不同摆放的羽毛造型在空间中形成特定的图案，这对设计和制作都是非常大的挑战。

#艺术装置 #犀牛鸟 #参数化 #设计 #美陈 #雕塑 #装置 #艺术 #装置艺术 #原创作品 #软装   #视觉传达 #互动艺术 #公共艺术 #艺术表现 #视觉艺术#现代艺术 #创意设计 #文化艺术 #多媒体艺术 #抽象艺术 #数字艺术 #环境艺术 #概念艺术 #装饰艺术 #表现主义 #未来主义

Work Name: Down Feather Logo

Completion Time: 2019

Author: Richard Zeng, Rhino Bird Studio

Design Concept: Similar to Alexander Calder's mobiles, this work offers viewers a novel and vibrant visual experience. The hanging feather elements display their natural forms in their most original state—still, lightweight, and ready to sway in the wind at any moment.The uniqueness of this work lies in the lightness and elegance of the feathers suspended in mid-air, which exude a sense of rhythm. The dynamic changes in their arrangement stem from the movement of the viewer's perspective. As the audience shifts their position and viewing angle, the down feathers seem to respond to the "pull" of the viewer's gaze: one moment they form an upward-moving symbol, the next they scatter in the air, and shortly after converge into impactful words. The transformation of meaning is entirely determined by the viewer.This installation is among the most challenging pieces in Rhinoceros Bird's same-series art installations. The feathers placed in different positions form specific patterns in space, posing great challenges to both the design and production processes.