消失的梅花鹿
作品名称：消失的梅花鹿系列
作品尺寸：2500mm*1500mm*600mm
作者：四川犀牛鸟装饰设计有限公司 曾章毅
设计理念：作品设计想营造李白诗句：树深时见鹿，当你远观踱步，奇妙的视觉变幻便会发生：3只小鹿若隐若现，某一瞬，镜面反射将天空草木尽数收纳，鹿的形态在环境中隐去，只剩光影流动；换个角度，金属切片的质感突然浮现，螺丝勾勒的轮廓凝为实体，灵鹿仿佛重归眼前。远观时，它吸纳天地色彩，消融于草木之间，似灵鹿隐入深林；近赏时，金属质感浮现，轮廓渐次清晰，又如精灵踏光而来。作品摒弃了具象写实的塑造方式——我们将镜面不锈钢切割为不规则的片，这些片塑造鹿的轮廓，通过螺丝的不规则链接，保留了工业材质的理性秩序，又承载了自然生命的灵动气韵让作品有了呼吸般的间隙，而镜面的反射特性，则让作品突破了自身的物理边界，将观者、环境与作品本身融为一体——当观者的身影出现在鹿的“轮廓”中，便成为了“消失”与“显现”的一部分，实现了创作与观赏的共生。《消失的梅花鹿》最终想传递的，是对生命与自然关系的思考：梅花鹿作为自然的使者，其“消失”并非消亡，而是与环境的深度融合；正如我们对自然的认知，从来都需要在“观察与体悟”的转换中，才能触及本质。当你站在作品前，见证它在虚实之间流转时，关于存在的多元性，关于自然的包容性。
#艺术装置 #犀牛鸟 #参数化 #设计 #美陈 #雕塑 #装置 #艺术 #装置艺术 #原创作品 #软装 #视觉传达 #互动艺术 #公共艺术 #艺术表现 #视觉艺术#现代艺术 #创意设计 #文化艺术 #多媒体艺术 #抽象艺术 #数字艺术 #环境艺术 #概念艺术 #装饰艺术 #表现主义 #未来主义
Work Name: The Vanishing Sika Deer Series
Work Dimensions: 2500mm × 1500mm × 600mm
Author: Richard Zeng, Rhino Bird Studio
Design Concept: The work is designed to evoke the imagery of Li Bai’s poem line: A deer appears when the forest runs deep. As you pace around and view it from a distance, a fascinating visual transformation unfolds: three little deer flicker in and out of sight. In one fleeting moment, the mirrored surfaces reflect the entire sky and vegetation, causing the deer’s forms to fade into the surroundings, leaving only flowing light and shadow in their place.
Shift your angle, and the texture of the metal slices suddenly comes into focus; the outlines defined by screws solidify into tangible shapes, and the graceful deer seem to return right before your eyes. From afar, the work absorbs the colors of heaven and earth, blending into the plants and trees like spirit deer vanishing into a dense forest. Up close, the metallic texture emerges, the contours sharpen gradually, and the deer look as if they are stepping into the light like ethereal beings.
The work abandons realistic representational techniques. Instead, we cut mirrored stainless steel into irregular pieces that form the deer’s outlines. These pieces are connected randomly with screws, which not only retain the rational order of industrial materials but also embody the vivid charm of natural life, endowing the work with breathing room. Moreover, the reflective property of the mirrored surfaces allows the work to transcend its physical boundaries, integrating the viewers, the environment, and the artwork itself. When the viewers’ silhouettes appear within the deer’s “outlines”, they become part of this interplay of “vanishing” and “manifesting”, achieving a symbiosis between creation and appreciation.
What The Vanishing Sika Deer ultimately intends to convey is a meditation on the relationship between life and nature. As messengers of nature, the deer’s “vanishing” does not mean extinction, but rather a profound integration with the environment. Just as our understanding of nature can never reach its essence without the interplay of observation and contemplation. When you stand before the work and witness its constant flux between illusion and reality, you may gain insights into the multiplicity of existence and the inclusiveness of nature.
