消失的梅花鹿1

作品名称：消失的梅花鹿系列

作品尺寸：2500mm*1500mm*600mm

作者：四川犀牛鸟装饰设计有限公司曾章毅

设计理念：作品设计想营造李白诗句：树深时见鹿，当你远观踱步，奇妙的视觉变幻便会发生：3只小鹿若隐若现，某一瞬，镜面反射将天空草木尽数收纳，鹿的形态在环境中隐去，只剩光影流动；换个角度，金属切片的质感突然浮现，螺丝勾勒的轮廓凝为实体，灵鹿仿佛重归眼前。远观时，它吸纳天地色彩，消融于草木之间，似灵鹿隐入深林；近赏时，金属质感浮现，轮廓渐次清晰，又如精灵踏光而来。作品摒弃了具象写实的塑造方式——我们将镜面不锈钢切割为不规则的片，这些片塑造鹿的轮廓，通过螺丝的不规则链接，保留了工业材质的理性秩序，又承载了自然生命的灵动气韵让作品有了呼吸般的间隙，而镜面的反射特性，则让作品突破了自身的物理边界，将观者、环境与作品本身融为一体——当观者的身影出现在鹿的“轮廓”中，便成为了“消失”与“显现”的一部分，实现了创作与观赏的共生。《消失的梅花鹿》最终想传递的，是对生命与自然关系的思考：梅花鹿作为自然的使者，其“消失”并非消亡，而是与环境的深度融合；正如我们对自然的认知，从来都需要在“观察与体悟”的转换中，才能触及本质。当你站在作品前，见证它在虚实之间流转时，关于存在的多元性，关于自然的包容性。

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Work Title: The Vanishing Sika Deer Series

Work Dimensions: 2500mm × 1500mm × 600mm

Author: Richard Zeng, Rhino Bird Studio

Design Concept:The design of this work aims to evoke the artistic conception of Li Bai’s poetic line: “Deep in the woods, a deer appears.” When you view the work from a distance and move around it, marvelous visual transformations unfold: three little deer seem to fade in and out of sight. At a certain moment, the mirror reflection embraces the entire sky and vegetation, causing the deer’s form to vanish into the surroundings, leaving only light and shadow flowing gently. From another angle, the texture of the metal slices suddenly emerges, and the outlines defined by screws solidify into tangible shapes, as if the agile deer have returned right before your eyes.When viewed from afar, the work absorbs the colors of heaven and earth, blending into the vegetation like spirit deer hiding in the deep forest. When admired up close, the metallic texture comes into view, and the outlines gradually become clear, resembling elves stepping forth in the light.This work abandons the method of concrete and realistic representation. Instead, we cut mirrorfinish stainless steel into irregular slices, which are used to shape the deer’s outlines. Through the irregular connection of screws, the work not only preserves the rational order inherent in industrial materials but also embodies the vivid vitality of natural lifegranting the work a “breathing” rhythm with subtle gaps. Moreover, the reflective property of the mirror allows the work to transcend its physical boundaries, integrating the viewer, the environment, and the work itself. When the viewer’s figure appears within the deer’s “outlines,” they become part of the cycle of “vanishing” and “emerging,” achieving a symbiosis between creation and appreciation.What The Vanishing Sika Deer ultimately intends to convey is a reflection on the relationship between life and nature: as messengers of nature, the deer’s “vanishing” is not extinction, but a profound integration with the environment. Just as our understanding of nature can only reach its essence through the shift between “observation and introspection.” When you stand before this work and witness its flow between the virtual and the real, you will perceive the diversity of existence and the inclusiveness of nature.