作品名称：浮白·共生

作者：四川犀牛鸟装饰设计有限公司 曾章毅

设计理念：以灰白色珊瑚形态为视觉载体，构建了一座介于真实与超现实之间的海底纪念碑。采用生物形态主义手法，装置表面既呈现珊瑚天然的复杂孔洞结构，又保持着矿物化石般的凝练质感。作品表层特殊的灰白色调模拟了珊瑚白化现象的色彩临界点——那种既非彻底死亡亦非鲜活存在的过渡状态。当光线穿过层叠的枝状结构时，会在展场地面投射出类似水下光斑的颤动阴影，使观者仿若置身深海的光影剧场。这件作品既是献给海洋的挽歌，也是写给未来的启示录。它邀请我们凝视这种矛盾的美感：灰白色既是生态系统告急的警示色，亦是自然重塑自我的原始色。那些看似枯萎的枝桠深处，其实暗藏着生命等待重生的密码——正如人类文明本身，始终在毁灭与创生的交界处寻找共生之道。

Work Title: Floating Whiteness · Symbiosis

Author:Richard Zeng, Rhino Bird Studio

Design Concept:Taking the form of gray-white corals as its visual carrier, this work constructs an undersea monument that exists between reality and surrealism. Employing a biomorphic approach, the surface of the installation not only presents the naturally complex porous structure of corals but also retains a condensed texture similar to mineral fossils.

The special gray-white tone on the work’s surface simulates the color critical point of coral bleaching—a transitional state that is neither complete death nor vibrant existence. When light passes through the layered branching structure, it casts trembling shadows resembling underwater light spots on the exhibition hall floor, making viewers feel as if they are in an underwater light and shadow theater.

This work is both an elegy to the ocean and a revelation for the future. It invites us to gaze at this contradictory beauty: gray-white is not only a warning color for the endangered ecosystem but also a primitive color for nature to reshape itself. Deep within the branches that seem withered, there actually lie hidden codes of life waiting for rebirth—just like human civilization itself, which has always been seeking a path of symbiosis at the boundary between destruction and creation.